Wednesday, 20 March 2013
A Classic so Clandestine, I Can't Tell You the Title - Guess & Win!
Okay, very soon I will be telling you all about my Clandestine Classic. I know, you're probably thinking, "out with it already!" But I can't, so let's play a game. I will give you some hints, and if you leave a comment below on what your guess is (for those of you who played the Oscars game, it is neither a head nor the ruby slippers), I will send you a pdf copy of my classic when it is released. Yay - prizes! Oh - and please leave your email address, or I will just have to use my psychic powers to let you know you won, and they are sometimes out of service. Like the internet.
First hint: It is set in the 18th Century.
Second hint: It is an MMF menage. Actually, that's not much of a hint, since there is absolutely no mention whatsoever of any type of menage - MMF or otherwise - in the original story. So, I suppose that is a hint in its own way.
Third hint: There are some BDSM elements. Hmmm. I just realized that there wasn't any of that in the original, so I suppose that doesn't help much either.
Fourth hint: I'll be more fair. It was written by an American author.
Fifth and final hint: The main hero would seem to be an unlikely stud, but in my version he has a hidden advantage that makes the ladies swoon, and the men jealous.
Ooh-la-la. So put your guessing cap on, and leave your answer in the comments below with an email address. See you next month!
(PS - there are absolutely no hints whatsoever in the picture - it's just a very famous painting and fit the theme. Plus, it looks cool. *wink*)
Tuesday, 12 March 2013
Making BDSM Work When It Might Not Want To
There are some books that scream to have BDSM added to them. Some just say, yes, there are BDSM elements to this. Then there are others that don't or not as much. The Phantom of the Opera is one of those stories that could either have a lot of sex and bondage or not as much.
I've take a bit of flack on this story because readers wanted more BDSM or they wanted me to change the ending. Now, IMHO, to ramp up the BDSM element meant changing the ending. But to be a Clandestine Classic, I couldn't change the ending. Nope. Has to be the way Leroux finished it.
Talk about a quandary. I didn't change the ending. If you get a copy of the original book, the ending is the same. But I did add lots of heat and some kink.
Now in Phantom there are times when kink worked. I added it. Grin. But there were times when it could've worked, but it rode the line between being sexy and not. I stuck with what I thought was sexy and where I thought it fit.
Then there is the confines of the times. Now we have things like bondage tape, and easy open handcuffs... oh, and zippers. Back then? Nope. They had cuffs, but not as easy open. No tape, but lots of ribbon. And lots of places to hide to have a hot moment. That's what I liked about Phantom. So many alcoves for passion and little places to have an aside with hinky-kinky.
What do you think? Should the kink go in even if it doesn't fit? Or just go with the flow of the story? Let me know. I'd love to hear your thoughts. :-)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Have you ever read one of the classics and wondered was happened behind those doors, curtains, trees? Yeah, us too. As you've seen, we've brought you the stories with those thrilling bits included. Here's my addition to the line, The Phantom of the Opera.
Why the Phantom? Well, I've been asked a lot to change the ending. I won't give it away, but some aren't thrilled with who gets the girl. I liked the way the book worked out and I loved the idea making the story line sizzle. I also enjoyed the challenge of sticking with Gaston Leroux's plot line. He's got a complex story going on there, but there were so many little places where a little heat went a long way! Yes, working with the time period and language of the day wasn't always easy, but it helped me to appreciate the little things, like not having to wear so many layers of undergarments! Grin. Want a taste of the Phantom? Keep reading!
Here's the blurb:
Teasers are so great, aren't they? I'd love to share a snippet from Phantom with you! Happy Holidays!!!
I've take a bit of flack on this story because readers wanted more BDSM or they wanted me to change the ending. Now, IMHO, to ramp up the BDSM element meant changing the ending. But to be a Clandestine Classic, I couldn't change the ending. Nope. Has to be the way Leroux finished it.
Talk about a quandary. I didn't change the ending. If you get a copy of the original book, the ending is the same. But I did add lots of heat and some kink.
Now in Phantom there are times when kink worked. I added it. Grin. But there were times when it could've worked, but it rode the line between being sexy and not. I stuck with what I thought was sexy and where I thought it fit.
Then there is the confines of the times. Now we have things like bondage tape, and easy open handcuffs... oh, and zippers. Back then? Nope. They had cuffs, but not as easy open. No tape, but lots of ribbon. And lots of places to hide to have a hot moment. That's what I liked about Phantom. So many alcoves for passion and little places to have an aside with hinky-kinky.
What do you think? Should the kink go in even if it doesn't fit? Or just go with the flow of the story? Let me know. I'd love to hear your thoughts. :-)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Have you ever read one of the classics and wondered was happened behind those doors, curtains, trees? Yeah, us too. As you've seen, we've brought you the stories with those thrilling bits included. Here's my addition to the line, The Phantom of the Opera.
Why the Phantom? Well, I've been asked a lot to change the ending. I won't give it away, but some aren't thrilled with who gets the girl. I liked the way the book worked out and I loved the idea making the story line sizzle. I also enjoyed the challenge of sticking with Gaston Leroux's plot line. He's got a complex story going on there, but there were so many little places where a little heat went a long way! Yes, working with the time period and language of the day wasn't always easy, but it helped me to appreciate the little things, like not having to wear so many layers of undergarments! Grin. Want a taste of the Phantom? Keep reading!
Here's the blurb:
The Classics Exposed…
A chance sighting at the Opera, fated love, and three lives in turmoil.
One man pledges to own her, while another wants her heart. The Opera sets the stage for romance and intrigue. In the catacombs below the building lives a man rife with sorrow and passion. The Phantom. But he’s not content to live alone. He wants to possess the one woman who can set him free.
His Christine.
Viscount Raoul de Chagny doesn’t believe the rumours of a Ghost living below the Opera. He only has eyes for Christine, his childhood friend and first love. Together they embark on a sensual journey of discovery and fiery desire.
But she can only have one man. Will love raise her up or tear their world apart?
Teasers are so great, aren't they? I'd love to share a snippet from Phantom with you! Happy Holidays!!!
“What are you asking of me?”~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Your submission. Allow me to direct you as if I were the composer of one of your songs. Do you trust me?” Raoul smoothed a lock of her hair between his fingers. She smelt of flowers, a most intoxicating scent. Although she trembled in his arms, she met him for a kiss. Christine whimpered. Damn the blanket and the layers of fabric between them. He longed to feel her body next to his. He parted her robe and shoved the garment from her shoulders, leaving her in her nightgown. He swiped his tongue along her bottom lip and palmed her breast.
“Raoul,” she gasped, but didn’t swat him away. “I trust you.”
“Let me make you feel the magic.”
Christine stared at him a moment. “What do you want me to do?”
“Give me what I want. Can you do that?” He unbuttoned the top button on her nightgown. “Show me the depths of your soul.”
“I can.” She whipped her nightgown up over her head, exposing her body to him. Her rosy nipples peaked and the flush spread across her entire chest.
Raoul shrugged out of his nightshirt and tugged her back onto his lap. Skin to skin, mouth to mouth, he lost himself in her sweetness. His desire to conquer her took over. Christine slid her hands up his chest and twined them behind his head.
“Do you still wish to learn? This will not be what you expect.”
“I do.”
He sat back on his heels and hazarded a glance to the door to reassure himself it was locked.
“Raoul?”
“I do not wish to be interrupted.” He grabbed the chair at the small table and dragged it to the couch. “Sit.”
Christine hesitated, then moved from his lap to the edge of the bed. Raoul eased her onto her back. He crawled between her thighs. “I will pull out so I don’t leave my seed inside you, but I cannot guarantee this won’t hurt.”
She nodded, but didn’t look particularly agreeable. He braced himself on his knees and one hand. With his free hand, he stroked her cheek. “I will make you feel precious when I’m done.”
“I’m yours.”
Friday, 1 March 2013
Google 'Regency'...
And see what you get...
I know this isn't a very on-topic post, but today (after my little alarm thingy reminded me of this post), I googled "regency hotties". Why you ask? Well, why not? We all like sexy men, right? And I am completely willing to cheat on my post this month and use them. ;)
Anyway, I googled "regency hotties" thinking I would get at least a handful of pretty eye-candy for you all. And...I was wrong. Waaaaay wrong. But the results were varied enough, and sometimes funny enough, that I thought I'd share anyway.
First came a historical hottie...
Then came a pirate...(okay, maybe he isn't, but don't you think he could be?!)
Next came Jennifer...
And "Luke, I'm your father..." (and oh, yes, this really did show up)
That last one cracked me up. Which made me want to share with you. Since you've been such good souls, following along with my little game - here's a reward... an absolutely stunning shot of James McAvoy (pretty sure this isn't from 'Becoming Jane', but I think we can move past that, yes?)...
What good regency or historical pics or actors do you just love?
Happy March 1st!
~Em
I know this isn't a very on-topic post, but today (after my little alarm thingy reminded me of this post), I googled "regency hotties". Why you ask? Well, why not? We all like sexy men, right? And I am completely willing to cheat on my post this month and use them. ;)
Anyway, I googled "regency hotties" thinking I would get at least a handful of pretty eye-candy for you all. And...I was wrong. Waaaaay wrong. But the results were varied enough, and sometimes funny enough, that I thought I'd share anyway.
First came a historical hottie...
Then came a pirate...(okay, maybe he isn't, but don't you think he could be?!)
Next came Jennifer...
And "Luke, I'm your father..." (and oh, yes, this really did show up)
That last one cracked me up. Which made me want to share with you. Since you've been such good souls, following along with my little game - here's a reward... an absolutely stunning shot of James McAvoy (pretty sure this isn't from 'Becoming Jane', but I think we can move past that, yes?)...
What good regency or historical pics or actors do you just love?
Happy March 1st!
~Em
Thursday, 21 February 2013
Fielding and the Naughty Bits
Working on Tom Jones reminded me of how much I love the mid
eighteenth century.
Really, I couldn’t have chosen a better book. It was as if
Fielding had left the bits for someone to fill in!
Wait a minute…
1749 was an important year for publishing. We think we’ve
seen revolutions in publishing? So have previous centuries. The eighteenth
century came hard on the heels of one of the most licentious, permissive times
ever. Reading the exploits of Lord Rochester, Sefton and their cronies in the Restoration
court, not to mention their ringleader Charles II makes even the modern reader
a bit uncomfortable. Actually, a lot. So there was a reaction, but not in the
pursed-up way the Victorians responded to the Regency excesses. More a drawing
back, a wish to return to the normal, the accepted.
People often overlook the way that religion, specifically
Anglicanism, was so important to Georgian society. It was threaded into their
lives, and if you didn’t go to Church on Sunday, there had to be a reason why. The
vicar was an important member of local society, the Lords Spiritual an
important part of the legislative process.
Fielding takes the presence of God in his life for granted. True,
by this time some people were beginning to question that, but most did not. I was
reminded of it when I read through the frankly bawdy and comic “Tom Jones.” God
is just there. Not the hypocritical, aloof deity of the Victorians, but a more
earthy, understanding God.
I was reminded of many other things, too. 1749 marks the
publication of Tom Jones, but it also marks the year the novel “Fanny Hill”
came out. While not a masterpiece, it certainly made an impact! When it came
out early in 1749, there was an absolute furore, being condemned by society,
and even denounced from the pulpit. To appease the masses, the author of “Fanny
Hill,” the elusive and fascinating John Cleland, released a bowdlerised version
later that year.
So did Fielding write “Tom Jones” as much bawdier than it
was? As magistrate of Bow Street, the center of London’s nightlife, he’d have
known and been familiar with any number of sexual practices. While much of “Tom
Jones” is set in the countryside, with a lot of sex in the open air and bucolic
pleasures aplenty, the characters also spend time in London, and right at the
beginning Squire Allworthy goes to London on some mysterious business, which I try
to flesh out for the modern reader.
Fielding’s attitude to sex is complex. On the one hand he
married his maid after he got her pregnant, but he condemned the women’s prison
Bridewell as an academy for prostitutes, and he refused to send any of the
women who came before him on immorality charges there. He was practical, and he
knew these women had to make a living somehow, but he also knew that other
forms of vice and lawbreaking went along with it. And he wasn’t a prude, by all
accounts.
The more I studied “Tom Jones,” the more convinced I became
that there was plenty of room to put in what Fielding had left out. My main
problem was to write in the style of Fielding, but that was one of my main reasons
for taking on the project. I’m working hard on Part Two now, where Tom really
comes into his own!
And if I may be self-indulgent, I have a free story out at
Kindle today and tomorrow. So pick up “Irresistible You” for free!
Tuesday, 19 February 2013
Is a Cock a Rooster or a Male Sex Organ?
Well…both of course. Except when one uses the term cock and
they are referring to a male sex organ, that’s technically a slang term. I love
Etymology. I am a horrible amateur, but I love the study of language. When I
suggested a favourite classic of mine to TEB for the Clandestine Classics line,
I knew if they agreed to have me work on it that there would have to be an
intense time period spent studying up on 18th century language
usage. And I was absolutely correct.
My concern while writing on my yet-to-be-disclosed classic,
was whether the words I used would make sense to the modern reader, not be
words that weren’t in existence yet in that era, and finally, to not use words
or phrases that were so laughable that it would yank the reader right out of
the story. In studying up on sexual slang – I found there were plenty of those!
Here are some interesting examples that I culled from the book, Sexual Slang by Alan Richter, Ph.D. and
from website sources such as the Online Etymology Dictionary and http://pascalbonenfant.com/18c/cant/body.html
, which is specific to 18th Century Slang.
Some classic words for the male sex organ that I vehemently
rejected:
- Arbor Vitae
- Sugar Stick
- Silent Flute
- Weapon
- Yard
- Pizzle
- Plug Tail
- Gaying Instrument
On the flip side, as it were, here are some female sex organ
terms that were equally horrific, and subsequently rejected:
- Eve’s Custom House
- Fruitful Vine
- Madge
- Notch
- Water Mill
- Wound
- Quagmire
- Crown and Feathers
Yeah. Not sexy. And would no doubt leave the reader
scratching their head and saying, “He did what to her who???” I settled on
words that are more familiar sounding, and/or, more self-explanatory. Yes, I
did use ‘pike staff’, since there was a bit of humour inherent to my particular
classic, and in the context of the sentence, would leave no doubt as to what he
was referring to. On another note, I was surprised to discover that indeed, the
word ‘cock’ as a slang term, has been in use since the 1610’s.
Without a doubt, working on my classic has been an adventure
in outdated words and colourful phrases. It made me want to write even more
stories from this era – so who knows? There could be more classics or other historical
pieces along the way. Also, I always have my fantastic editor, Eleanor Boyall
to hold my hand and correct me along the way!
One question for you: Are you a historical snob, and get
frustrated when there are little inaccuracies to the period the author is
supposed to be writing about (not just necessarily slang for private parts!),
or are you more focused on the story and characters and less concerned about
the little details, as long as it feels generally consistent with the time
period?
See you next month!
Tuesday, 12 February 2013
The Phantom and Me
There are some cool things I've learned since I was asked to add to Phantom. It's funny. We take for granted having panties/thongs/silky pretty underpants and yet the things the wore back then? Good grief. The women wore what basically appeared to be men's boxer shorts. Okay, they aren't really boxer shorts, but they are as big as boxer shorts.
Oh and zippers? Yeah, those aren't around yet. Buttons, buttons, buttons... or laces. I can't imagine putting anything on without zippers. Pants, jackets... Oh and no pants. Unless you were riding a bike and even then, man oh man those suckers are HUGE! Bell bottoms are more figure flattering.
But the dresses were so pretty. Sure, they screwed with your spine to get the look right, but all that satin and chiffon. So pretty. I'd love to be taller so all those flowy gowns would look right on me. Instead I'm short and long skirts make me look even shorter. I'm pretty sure i"ll never be able to dress like Christine, but it would be fun.
What about you? Have you ever had to do research and found something cool you never expected? I did when I researched the time periods for Phantom. Don't be shy! Come share! I'm waiting. :-)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Have you ever read one of the classics and wondered was happened behind those doors, curtains, trees? Yeah, us too. As you've seen, we've brought you the stories with those thrilling bits included. Here's my addition to the line, The Phantom of the Opera.
Why the Phantom? Well, I've been asked a lot to change the ending. I won't give it away, but some aren't thrilled with who gets the girl. I liked the way the book worked out and I loved the idea making the story line sizzle. I also enjoyed the challenge of sticking with Gaston Leroux's plot line. He's got a complex story going on there, but there were so many little places where a little heat went a long way! Yes, working with the time period and language of the day wasn't always easy, but it helped me to appreciate the little things, like not having to wear so many layers of undergarments! Grin. Want a taste of the Phantom? Keep reading!
Here's the blurb:
Teasers are so great, aren't they? I'd love to share a snippet from Phantom with you! Happy Holidays!!!
Oh and zippers? Yeah, those aren't around yet. Buttons, buttons, buttons... or laces. I can't imagine putting anything on without zippers. Pants, jackets... Oh and no pants. Unless you were riding a bike and even then, man oh man those suckers are HUGE! Bell bottoms are more figure flattering.
But the dresses were so pretty. Sure, they screwed with your spine to get the look right, but all that satin and chiffon. So pretty. I'd love to be taller so all those flowy gowns would look right on me. Instead I'm short and long skirts make me look even shorter. I'm pretty sure i"ll never be able to dress like Christine, but it would be fun.
What about you? Have you ever had to do research and found something cool you never expected? I did when I researched the time periods for Phantom. Don't be shy! Come share! I'm waiting. :-)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Have you ever read one of the classics and wondered was happened behind those doors, curtains, trees? Yeah, us too. As you've seen, we've brought you the stories with those thrilling bits included. Here's my addition to the line, The Phantom of the Opera.
Why the Phantom? Well, I've been asked a lot to change the ending. I won't give it away, but some aren't thrilled with who gets the girl. I liked the way the book worked out and I loved the idea making the story line sizzle. I also enjoyed the challenge of sticking with Gaston Leroux's plot line. He's got a complex story going on there, but there were so many little places where a little heat went a long way! Yes, working with the time period and language of the day wasn't always easy, but it helped me to appreciate the little things, like not having to wear so many layers of undergarments! Grin. Want a taste of the Phantom? Keep reading!
Here's the blurb:
The Classics Exposed…
A chance sighting at the Opera, fated love, and three lives in turmoil.
One man pledges to own her, while another wants her heart. The Opera sets the stage for romance and intrigue. In the catacombs below the building lives a man rife with sorrow and passion. The Phantom. But he’s not content to live alone. He wants to possess the one woman who can set him free.
His Christine.
Viscount Raoul de Chagny doesn’t believe the rumours of a Ghost living below the Opera. He only has eyes for Christine, his childhood friend and first love. Together they embark on a sensual journey of discovery and fiery desire.
But she can only have one man. Will love raise her up or tear their world apart?
Teasers are so great, aren't they? I'd love to share a snippet from Phantom with you! Happy Holidays!!!
“What are you asking of me?”~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Your submission. Allow me to direct you as if I were the composer of one of your songs. Do you trust me?” Raoul smoothed a lock of her hair between his fingers. She smelt of flowers, a most intoxicating scent. Although she trembled in his arms, she met him for a kiss. Christine whimpered. Damn the blanket and the layers of fabric between them. He longed to feel her body next to his. He parted her robe and shoved the garment from her shoulders, leaving her in her nightgown. He swiped his tongue along her bottom lip and palmed her breast.
“Raoul,” she gasped, but didn’t swat him away. “I trust you.”
“Let me make you feel the magic.”
Christine stared at him a moment. “What do you want me to do?”
“Give me what I want. Can you do that?” He unbuttoned the top button on her nightgown. “Show me the depths of your soul.”
“I can.” She whipped her nightgown up over her head, exposing her body to him. Her rosy nipples peaked and the flush spread across her entire chest.
Raoul shrugged out of his nightshirt and tugged her back onto his lap. Skin to skin, mouth to mouth, he lost himself in her sweetness. His desire to conquer her took over. Christine slid her hands up his chest and twined them behind his head.
“Do you still wish to learn? This will not be what you expect.”
“I do.”
He sat back on his heels and hazarded a glance to the door to reassure himself it was locked.
“Raoul?”
“I do not wish to be interrupted.” He grabbed the chair at the small table and dragged it to the couch. “Sit.”
Christine hesitated, then moved from his lap to the edge of the bed. Raoul eased her onto her back. He crawled between her thighs. “I will pull out so I don’t leave my seed inside you, but I cannot guarantee this won’t hurt.”
She nodded, but didn’t look particularly agreeable. He braced himself on his knees and one hand. With his free hand, he stroked her cheek. “I will make you feel precious when I’m done.”
“I’m yours.”
Wednesday, 6 February 2013
“I
have no notion of loving people by halves, it is not my nature. My attachments
are always excessively strong.”
|
—
|
Jane
Austen, Northanger Abbey
Every era
likes to marginalize certain forms of art. In Austen's day, it was the novel
(and not just the Gothic ones). Today, it might be graphic novels or romance
or so-called "women's fiction" or "chick lit" or science
fiction or horror. Take your pick. Despite the snobbery, Jane Austin and her
whole family were, in her own words, "great Novel-readers, & not
ashamed of being so." Nevertheless, Northanger
Abbey is a hilarious send-up of just the kind of horror-and-romance-fest
that Catherine Morland—and Jane Austen—liked to read. The difference
between the heroine and her creator is that Catherine Morland kept expecting
real life to play out like one of her favorite novels, while Jane Austenthought
real life had its own set of fascinating stories to tell.
Classiclit.com
|
There’s more to Northanger Abbey
then just a glimpsed into the Regency period.
Catherine Morland (Felicity Jones, Meadowlands) has an ordinary
life and a feverish imagination. When she gets invited to Bath, Catherine is
immersed in a world of elaborate balls and handsome men. When one suitor takes
her to his family estate, Northanger Abbey, Catherine becomes mired in a world
of fact and fantasy. Is there a dark mystery behind the locked doors of
Northanger Abbey? Why has her budding romance suddenly been cut short?
Northanger
Abbey was the first of Jane Austen's novels to be
completed for publication, though she had previously made a start on Sense and Sensibility and Pride and Prejudice. According to Cassandra Austen's Memorandum, Susan
(as it was first called) was written approximately during 1798–99. It was
revised by Austen for the press in 1803, and sold in the same year for £10 to a
London bookseller, Crosby & Co., who decided against publishing. In 1817,
the bookseller was content to sell it back to the novelist's brother, Henry
Austen, for the exact sum — £10 — that he had paid for it at the beginning, not
knowing that the writer was by then the author of four popular novels. The
novel was further revised before being brought out posthumously in late
December 1817 (1818 given on the title-page), as the first two volumes of a
four-volume set with Persuasion.
A passage from the novel
appears as the preface of Ian McEwen's Atonement,
thus likening the naive mistakes of Austen's Catherine Morland to those of his
own character Briony Tallis, who is in a similar position: both characters have
very over-active imaginations, which lead to misconceptions that cause distress
in the lives of people around them. Both treat their own lives like those of
heroines in fantastical works of fiction, with Miss Morland likening herself to
a character in a Gothic novel and young Briony Tallis writing her own
melodramatic stories and plays with central characters such as
"spontaneous Arabella" based on herself.
Richard Adams quotes a portion of the novel's last sentence for the epigraph to Chapter 50 in
his Watership Down; the reference to the General is felicitous, as the villain
in Watership Down is also a General.
And here’s a little taste for you:
Darkness impenetrable and
immovable filled the room. A violent gust of wind, rising with sudden fury,
added fresh horror to the moment. Catherine trembled from head to foot. In the
pause which succeeded, a sound like receding footsteps and the closing of a
distant door struck on her affrighted ear. Human nature could support no more.
A cold sweat stood on her forehead, the manuscript fell from her hand, and
groping her way to the bed, she jumped hastily in, and sought some suspension
of agony by creeping far underneath the clothes. To close her eyes in sleep
that night, she felt must be entirely out of the question. With a curiosity so
justly awakened, and feelings in every way so agitated, repose must be
absolutely impossible. The storm too abroad so dreadful! She had not been used
to feel alarm from wind, but now every blast seemed fraught with awful
intelligence. The manuscript so wonderfully found, so wonderfully accomplishing
the morning’s prediction, how was it to be accounted for? What could it contain?
To whom could it relate? By what means could it have been so long concealed?
And how singularly strange that it should fall to her lot to discover it! Till
she had made herself mistress of its contents, however, she could have neither
repose nor comfort; and with the sun’s first rays she was determined to peruse
it. But many were the tedious hours which must yet intervene. She shuddered,
tossed about in her bed, and envied every quiet sleeper. The storm still raged, and various
were the noises, more terrific even than the wind, which struck at intervals on
her startled ear. The very curtains of her bed seemed at one moment in motion,
and at another the lock of her door was agitated, as if by the attempt of
somebody to enter. Hollow murmurs seemed to creep along the gallery, and more
than once her blood was chilled by the sound of distant moans. She began to
wish for Henry Tilney to find his way secretly to her room to help allay her
nervousness.
When the door to her
room opened slowly she searched frantically for something with which to defend
herself, not knowing if it was ghost of human who trespassed. When she saw
Henry slip into the room, fingers to his lips, she poofed out a sigh of relief.
Had just thinking of him conjured him up?
“What are you doing here?”
she whispered as softly as she could, noticing that he had divested himself of
all his clothes save a thin pair of breeches and a loose shirt.
“I feared the storm
would disturb you and wanted to ease you through it.”
“But—But—But what if
someone sees you walking around like that?” Her fingers gripped the bedclothes.
“General Tilney and my
mother are long fast asleep,” he whispered back, “and I hope the same for my
sister. However, since she sleeps two doors down we must be careful not to do
anything to call her attention.”
“And what would we be
doing?” she asked.
With a smile Henry
approached the bed and eased himself down on top of the covers next to her. “I
hope many things,” he told her. “I have felt this strong attraction between us
from the first moment of our meeting and I have seen in your eyes a like
feeling. If I am mistaken please advise me of it and I will leave a once.”
Even as the blood
stirred within her and her pulse rate accelerated, she felt compelled to offer
at least a token protest. “I assure you that I am still an innocent, an
unsullied and respectable female.”
His hand cupped her
cheek, turning her face to his. “My dear sweet Catherine, I am fully aware of
that. I would take no advantage of that if you bid me leave. And if you bid me
so I will be gone and this will be as if it never happened. But understand that
you have my full respect as well as a number of other emotions that far surpass
it. From our first meeting I have dreamed of being the one man to show you the
pleasures of the body. I care for you so much. Please do not turn me away.”
She could have demurred
further but she was so eager for his touch that it seemed to her a waste of
time so she simply smiled and placed her hand over his. “And I have dreamed of
the same things.”
Henry leaned his head
closer to her face and placed his lips on hers. They were firm and moist and
the touch was utterly pleasant. He brushed his mouth lightly over hers in a
back ad forth motion, teasing her, until his tongue peeped out to trace he seam
of her lips.
“Open your mouth for
me, sweet Catherine,” he urged. “Let me in.”
She did so and when his
tongue swept inside it filled her with a sensation of pleasure that danced
through her body. Her nipples tingled and at once the sensitive muscles in her
cunt trembled. She felt the liquid of her arousal soaking the crotch of her
nighttime bloomers and had to press her thighs together. All this from a kiss!
Imagine! But it was far beyond any kiss she’d ever imagined. Henry’s tongue
touched the inside of her mouth everywhere, sliding over her own tongue in a
movement that coaxed her to let hers dance with him. He thrust it in and out,
mimicking the act of sex she and Virginia had read about and arousing her even
more.
Pulling the gown up far enough, he proceeded to pull one nipple
into his mouth. Catherine’s breath caught at her throat as he sucked deeply on
it then gently scraped it with his teeth. He cradled her breast in his warm
palm kneading it gently as he continued to suck and nip at the stiff peak. Her
blood heated and the fire roared straight to her cunt to meet the insistent
throbbing in her already wet tissues. He gave equal attention to her other
breast until she was arching up to him in delight.
When Henry lifted his
head she cried out. “Oh, continue, please, I pray you. I cannot bear it if you
stop.”
His smile was
mesmerizing. “If I am to continue we must move all this fabric out of the way.”
He plucked at her gown, rucked up around her neck, and ran a finger around the
waist of her drawers. “I wish to see your body in its entirety that I may
worship every inch of it.”
No one had seen
Catherine naked since she was a child with the exception of her partner in
crime, Virginia. But she trembled in anticipation of Henry’s gaze taking in
every inch of her and hoped she would not be found wanting. Mutely she nodded
and allowed him to assist her with the removal of her nightwear, shivering
slightly as the cool night air wafted over her.
Henry placed a kiss
between her breasts. “I am not shy of my own abilities to warm you up but I
think a fire would help us along.”
Catherine lay nude with
her arms crossed over her breasts, her eyes glued to Henry as he built up the
fire until it leapt into a nice flame. But the fire was not the only ting that
heated her as Mr. Tilney began to slowly remove his own clothing, draping it
over the arm of a boudoir chair. She was stunned at the sight of his
magnificent body, gleaming in te firelight, the curled hair on his chest
slightly darker than that on his head and darker still as it clustered around
his cock which stood straight out in all its glory. Her fingers itched to touch
it, to test its feel, to rub herself against it. To see if it would fit within
her as the book had described.
Henry Tilney smiled at
her as he stood beside the bed, what she could only describe as hunger flaring
in his eyes.
“Go ahead,” he urged.
“Touch it. I can see that you want to.”
She reached out her
hand and closed her fingers around silky skin over a hard as steel core. “Oh!
It feels hot!” Experimentally she slid her fingers up and down, from tip to
root and back again. It flexed beneath her touch, a most pleasant feeling so
she did it again and yet again. The soft wiry curls surrounding it brushed
sensually against the edge of her hand and by the third slide a small drop of
fluid eased from the tiny slit in the head. Catherine stared in wonder and
before she could help herself touched the tip of one finger to it. Bringing her
finger to her mouth she licked slowly, enjoying the slightly salty taste of it.
Tilney’s expression
heated as he watched her. Do you fancy the taste, then?”
Catherine nodded
mutely.
“Soon I might ask you
to take me in my mouth,” he told her, “but right now I would like to savour
your taste, also. Will you allow me?”
She nodded, lying still
as he separated her legs and knelt between them. The moment his fingers touched
the lips of her cunt every nerve in her body leapt to attention. She wanted to
squeeze her thighs together against the pulse pounding inside but Henry kept her
legs separated with his wide shoulders. He opened her lips and stared intently
at her—what had Isabella called it?—her pussy, the intensity of his gaze
heating her even more.
“Your cunt is so
beautiful,” he breathed “Just as I imagine—all pink and pretty and so, so wet.”
He ran one finger the
length of her slit and brought it to his mouth to taste as she had done with
his liquid. He closed his eyes, obviously savouring the taste, then
leaned down and ran his tongue where his finger had touched. Catherine was sure
her body was on fire now, every fibre of her demanding more. She wanted him to
do all the things she and Virginia had experimented with, and more. To touch
every part of her body inside and out. When he sipped one finger inside her
slick sheath she could not help but gasp at the intensity of the sensation.
“Hush.” He smiled up
at her. “We must be perfectly quiet or I will have to stop.”
No! No, no, no!
She clapped one hand
over her mouth and pressed her lips hard together, but oh! It was so hard to
keep still as his fingers thrust in and out of her in a rhythm that made her
entire body throb.
“I am going to touch
your clit, my sweetness,” he whispered. “Pray do not cry out.”
But even her good
intentions could not completely stifle the little whimpers as he inched and
rubbed that furled knot of flesh while his fingers continue to plunder her. Oh,
dear lord, this was so much more than she expected. Every nerve in her body
seemed to centred in that one spot. She pushed herself against his touch, swallowing
a scream of delight when his tongue replaced his hand on her clit while he
continued to work her quivering cunt. The surge of need rising within her was
far more than she’d experienced in the little games she and Virginia had
played. She was losing control of herself as unbelievable feelings swept
through her.
Tilney lifted his
head. I am going to give you an orgasm, my sweet.” His voice was gruff with
restrained passion. “Since this is your first time it will relax your inner
muscles and make the way easier for my cock. Yes, I feel it coming on now. Oh,
how tightly your cunt closes around my fingers. How sweet your little clit
tastes to my tongue. Pray prepare yourself, Catherine, for it is almost upon
you.”
Yes! She could feel
a force gathering within her. She closed her eyes and threw her head back,
biting down on the edge of her hand as violent spasms swept through her shaking
her entire body. She pushed hard against Henry’s fingers and in fact wound her
legs around his neck to pull him in tighter and bucked up against him. The room
fell away and she conscious of nothing but the shudders wracking her, tossing
her into a void where the only thing that mattered was this powerful force that
gripped her body.
She was barely aware
of the tremors subsiding, of Tilney slowing the pace of his fingers, of his
tongue lapping easily every inch of her quivering cunt until the last of the
spasms had subsided.
Henry moved up to
kiss her licking her lips before sliding his tongue into her mouth. She could
taste herself on him, a not unpleasant taste and actually sucked his tongue.
“Sweet Catherine.”
He lifted his head and looked into her eyes. “I am so honoured to be your very
first lover. You held nothing back ad that orgasm will prepare you to accept
the length of my cock. Do not move.”
He rose from the bed
and fished something from a pocket of his trousers. When he returned against to
kneel between her thighs and she saw he held a strange item in his hand.
“This is a condom,”
he explained. “A safe, because that’s exactly what it will make you. We do not
want to get you with child and I want to be most careful with you.”
She had read about
such devices in the book and watched
in fascination as he rolled it onto his swollen cock. When he was finished he
loomed over her, balancing himself on his hands.
“You know this will
hurt a little, right? But I will be as gentle as possible with you.” He slid
his fingers inside her again, smiling in satisfaction at what he felt. “So wet.
And relaxed. This will be fine.”
He brought the head
of his cock to her opening and prodded gently. She flinched at first, not sure
she could take something that size inside her but Tilney soothed her with
whispered words. He brought her knees up and pressed them back, opening her
more and easing his passage into her body. Inch by inch he slid into her,
filling her until she was sure she could not take another inch of him. And yet
she wanted more. Her body was again in a state of high excitement, her breath
coming in short pants, her heart racing.
Tilney’s eyes
glittered as he stared into hers. “Now, Catherine. A little inch and no more.”
He moved one hand to her clit, rubbing it over and over, bringing her to
a higher level of need. At the point where she was actually ready to beg he
thrust his hips forward in a hard movement. So aroused was she that she barely
notice the brief stab of pain. And then he was seated inside her completely,
every fibre of her body on fire for him. His pace as he moved in and out of her
was slow at first, his eyes watching her for signs of discomfort. But when he
saw only pleasure he increased his pace until he was hammering into her with
force, his breath raspy in the ar. The moment the walls of her cunt began to
spasm anew he let himself go. Catherine could feel his cock pulsing inside the
condom, vibrating against her inner muscles which clamped down on him like a
vice. Catherine felt tossed into space, a void of pleasure filled with rockets
and firecrackers that stabbed through her with the most delightful pain of
arousal.
Be sure to check out all the Clandestine Classics at www.total-e-bound.com
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